Servent - Artifacts of LifeServent Artifacts of Life

the discoverer (well

noisy bulkiness at the end of the coziness

Indian hymn and Balkan beats

The measures almost seem to flow into one another

eerie silence and ultimately enveloping calm

Maristella plays on a 1687 Stradivarius violin

had previously mainly been used in order to provide 'local colour' or as a way of catering to nationalist sentiments

In another example of Glazunov's crystal-clear yet expressive writing

Imagine it's summer

1917 of double performance in Zurich

playfully striking movement with an orchestral texture and ironclad cohesion despite a wide variety of themes

Glenn was in both early incarnation of Deliverance and Vengeance contributing and writing many of their most legendary tracks